Victorious Victoria and Albert

We've just returned from one of those sorts of afternoons that reminds me why I never want to move far from London, or its mind-blowingly brilliant museums. Yet again, it is time spent in a museum that might not always be a first choice for parents, that has yielded one of the most inspiring days for our young rabble. The Victoria and Albert was crowned Museum of the Year in 2016 and rightly so. It is a treasure trove of interesting, exquisite and unexpected things; a rabbit warren plunging straight into Wonderland. It's one of our favourite spaces and on every occasion we discover something new. I've written about it before, years ago, when we first discovered London's best kept secret toddler sunny day playground in the form of its courtyard. With a shallow central pool, which children are welcome to paddle in, lawns and a little cafe, it is a haven from the bustle of London and harbours rather an appropriate fin de siecle air of jolity and festival. We've also covered its great little educational backpacks in a post about animals in art (here).

Today's more wintery visit was rather unplanned. We showed up with a vague list of things the children wished to see, but we were rewarded with a Christmas-themed trail which took us on a tour to discover 12 objects and facts about Christmas around the museum. The beauty of this simple and hugely effective activity was that it directed us away from our normal well-trodden routes to look at items nestled within a huge range of collections. Starting from the central Christmas tree, we were signposted through the stunning Renaissance Galleries via an unusual Naplese crib, to the exquisite glass galleries  where we learned about the genesis of Christmas baubles (apparently once strings of small glass beads draped on German trees). We were then led past Trajan's column (much to the delight of Clara Button fans) and through to a display of Victorian Christmas cards. We learned that the first Christmas card was sent by the then - far too busy to write a traditional letter - Director of the V and A itself; an idea that in time caught on. We discovered mistletoe-themed Art Nouveau jewellery, St Nicholas hiding amongst a collection of biscuit tins and the partridge from the pear tree in silverware.

In the brilliant theatre galleries amongst the costumes and sets, we learned about the origin of crackers and that pantomimes come from ancient Rome when festivities allowed roles to be reversed and hierarchies subverted. Finally, we toured the picture galleries, where we were tasked with finding a family of carolers, located a Christmas dining set in the vast ceramics study collections and ended at a Christmas tree somewhere in the Tudor period.

We emerged with a better spatial awareness of the museum's vast corridors and new favourite areas for a return visit. We were also rewarded with a wonderful festive surprise - a performance of The Nutcracker for families. Abridged and danced by a young troupe from Highgate, supported by adult Nutcracker and Sugarplum Fairy, we were treated to a refreshingly interactive and intimate performance. Children were invited to dress the tree at Clara's party, dance with the ballerinas and meet the cast. It was an entirely joyful and bewitching experience for all involved.

The V and A is one of those museums where a small item can lead to huge inspiration, or you can focus on an era, a theme or follow a simple story around the vast collections. We've also read our way around the museum and gathered a range of books to bring the objects alive. Here's a selection of picture books to accompany a visit to the V&A - from costumes, tutus and home decoration to ceramics and 20th Century design.




First up; an interactive fashion guide so beautiful we wrapped it up for Culturebaby's recent birthday. Using photographs and archival information from the V&A's own collections, accompanied by illustrations by Daisy de Villeneuve, Fashion Mash Up contains timelines detailing the development of items from skirts and trousers to shoes and coats. It contains 75 press out clothes to add to a selection of stand-up models, backdrops for fashion shoots, stickers for accessorising, and a selection of unusual items for mix and matching and play.

Following the success of a jewellery history game using a £3 pack of V&A postcards (see here for how to create this activity), I'd intended to amass a dress version for the girls, who love this part of the collection. Happily this clever book does the job for me. The press-out garments can be lined up, examined and ordered. It's a brilliant addition to our history shelves.



Alongside this book I'd also recommend the simple but beautifully illustrated The Story of Costume by John Peacock.

Still on the topic of the fashion collections in the museum, there are few story books as exquisitely illustrated with details from a museum collection and as effective as the V&A's own Clara Button series by Amy de la Haye and Emily Sutton. We own Clara Button and the Wedding Day Surprise, which showcases a selection of bridal wear from the collection and extols the virtues of creativity and adaptation, and (the favourite) Clara Button and the Magical Hat Day. This gorgeous picture book usually comes with us on trips to the V&A, as it contains gorgeous illustrations of a range of spaces in the museum (including the exquisite cafe), as well as some iconic items for the children to spot. The story follows a creative little girl Clara who, on requesting a hat-themed day, is taken by her mother to the V&A. She takes with her a precious vintage hat (broken by her naughty brother) in the hopes that someone at the museum can help her fix it. She's rewarded by a behind-the-scenes hat extravaganza, and her brother (busy pretending the whole experience is tedious when in fact he's having a whale of a time) finds inspiration amongst the weapons and cast galleries - encountering the fabulous Tipu's Tiger and monumental Roman Trajan's Column.

Earlier in the year we received a thoroughly inspired fairy tale series, perfect for the little historian. With the best will in the world, multiple readings of fairy tales can border on the dull, but this brilliant little set from David Roberts and his sister Lynn Roberts-Maloney aims to re-invent classic tales in the style of various periods. Cinderella is retold in glorious Art Deco glamour with 30's costume, gramophones and Clarice Cliff pottery. Rapunzel is a '70s readhead, clad in platforms and bell-bottoms and imprisoned at the top of a brutalist tower-block with a collection of vinyls and a permanently broken lift.





Then there's the most recent (and cleverest) title: Sleeping Beauty: A mid-century fairy tale. Beginning in the 1930's at a Christening, and stretching to the 1950s for the 16th birthday, the illustrations are brimming with period detail. Protected from needles by her adoring aunts, Annabel dreams of seeing the future. Her wish unexpectedly comes true when she pricks her finger on the stylus of a record player - a gift from the evil Morwenna. Refreshingly the tale takes a twist and Sleeping Beauty is not rescued by a prince but by a girl 1000 years into the future named Zoe who has a passion from the past and scours the library for evidence of why a giant thorn-tree is found amidst a futuristic high-rise landscape. The aunts equally take on a delightful role as protectors who ultimately sacrifice themselves for their beloved ward. It's a great re-telling anyway, but the period details confirm this picture book offering as a 20th Century historical tour de force.

One more title worthy of mention for its stunning illustration and period details is Alice Melvin's beautiful Grandma's House from Tate Publishing. The inspiration for this simple story about a girl's search for her grandma throughout the old lady's beautiful house, was Alice's own childhood memories of such trips. A decade on from her Grandmother's death, the intricate details of items around this beloved destination show keen observation and great love. "Even now, over a decade since she died, I can close my eyes and retrace my steps with ease: moving from room to room, knowing exactly what I will see as I do so: the cow milk jug with the tiny bell around his neck; the little porcelain wren that lifted up to reveal three small bead eggs; the wooden apple with the tiny wooden tea set hidden inside; the garden path winding past the pear tree..." Both a tribute to a beloved family member and a great lens through which to view the objects before us in the museums cabinets, this simple books shows with ease the way in which each object is both imbued with a host of meanings and emotions and provides a new angle for us to search through the collections for items with a similar meaning for us too.

A lovely title I picked up in a charity shop recently is another great story about the decorative arts, and in this case one single object - a Delft Blue vase. Ingrid and Dieter Schubert's Delft Blue: a Vase for the Princess is from the Gemeente Museum in Den Haag. Lin, a Chinese mouse finds himself a stow-away on a shop bound for Holland - a country he finds utterly different from his home. He is befrended by a local mouse from the 'best potters in town' and introduced to Lin's tea ritual in a tiny Chinese porcelain set. Following some competition between the mice about the quality of Dutch vs Chinese ceramics, chaos ensues as a vase destined for a princess is broken. The mice set about using their joint expertise to create an amazing replacement. This is a gorgeous book and a great way to enable a child to access a genre of the decorative arts they may not have encountered properly before, and to encourage the close examination of a single object.

There are so many appropriate books to take in your bag for a trip to the theatre galleries at the V&A, and we regularly cover these on the blog, such as this brilliant series from James Mayhew on the a little girl Ella's adventures within the classical ballets, and Merberg and Bobber's Dancing with Degas, an introduction to depictions of ballerinas in art reviewed here. Here, I've selected two further titles - firstly a musical version from Usborne of Swan Lake, illustrated by Anna Luraschi. This is a favourite with the girls (alongside its sister version of the Nutcracker) as it offers six buttons to press with excerpts from the ballet to press as you move through the tale. It's a perfect title to explore in front of the stunning black swan tutu found in the galleries. I've also selected a recent pop-up edition of The Nutcracker from Walker Books by Niroot Puttapipat. For children of all ages, and indeed any adult, this simply told version of the classic story is gorgeously illustrated with characters in silhouette set against stunning skies and with splashes of coloured decoration. There is a final, exquisitely crafted, pop-up scene of the land of sweets. These theatrical images throughout the edition were inspired by the sets from the original 1892 production performed in St Petersburg. The descriptions are also simply beautiful. In this land snowflakes taste of rosebuds and raspberries, peppermint and honey; oceans are flecked with gold and "lollipops grew in the flowerbeds, lemonade flowed from the fountains, and a sherbet path twisted off into marshmallow mountains." The descriptions are sumptuous, lyrical and spellbinding. It's a great books to use as a basis for exploring the various stage sets featured in this gallery.

A big hit from our literary advent calendar this year was a beautifully bound edition of the Twelve Days of Christmas from Puffin Books and the V&A. The Museum has had a long association with Christmas festivities, seen in our tour of the collections. from the first Christmas card to the Christmas tree, which is commissioned from a well-known designer each year. This lovely edition is created from the Museum's collections of the work of Arts and Crafts Pioneer William Morris, and developed with illustrations to bring the song to life by Liz Catchpole. It's a stunning volume and one we will treasure well beyond childhood.


Finally, two great books on the joy of museum visits more generally are worth a quick mention. Firstly, the 2016 release of The Museum of Me by Tate Publishing is a clever book, which takes us on a canter through the types of museums and explores questions about why we collect and preserve objects. I've done a full review here, with extension activities about creating your own DIY museums at home.

We've also enjoyed the quirky Mi and Museum City by Linda Sarah. This unusually illustrated tale of Mi, who is a resident of the dull and uninspiring Museum City - full of boring museums about uninspiring things. Fun was banned, museums should be about important and grand things, said Mayor Boouf. Mi knew what made him happy and he set out to change things; to convince the authorities to allow the inhabitants to open museums about all the objects and activities that inspired them. From the weird to the wonderful (just like the V&A there were "museums about clothes you can wear and clothes you almost can't..." from the interesting and useless, to stackable and staircasey museums) there was something brilliant for everyone. It's a great book about value and the wonder thinking outside the box can create.

Disclaimer: We bought a good few of these titles, but we are grateful to Puffin Books for the Fashion Mash-Up and 12 Days of Christmas, to Phoenix Yard for Mi and Museum City, Walker Books for the Nutcracker and Pavilion for the fairytales. As always, all views are entirely our own.

DIY Delaunay

As we look forward to our visit to Tate Modern's Alexander Calder exhibition, with all its mobile-making, sculpture-building inspirational potential, I've been thinking back to one of last year's brilliant exhibitions and the great children's art opportunities it spawned. We were amidst the chaos of house moving when we visited Tate's Sonia Delaunay exhibition and I didn't get chance to write it up at the time. However, despite the exhibition being over, the follow-on project we created was one of our most enjoyable, and so I wanted to share it as a great project to do any time at home.

Tate Modern's exhibition itself was fabulous and extremely welcome. Not only did it cover a period I adore (the roaring 20s and beyond), feature a range of work from paintings to rotating textiles and handbags in fabulously vivid colours and exciting patterns, but it also showcased the creative genius of a female artist. If you google Delaunay, you get a variety of listings about Robert, her (perhaps better known) husband, but I've always had rather a penchant for the lady. I stumbled across her gorgeous textile designs during my degree and have adored her work ever since. Reading about the exhibition I also love that one of her inspirations was her children. Whilst, at times, mothers perhaps feel that as their caring responsibilities and tiredness increase, their own creativity and inner world decreases accordingly, but that need not always be the case. On my better days when the two worlds collide, creativity inspired by devotion can produce some of the most joyful results. Delaunay said:

"About 1911 I had the idea of making for my son, who had just been born, a blanket composed of bits of fabric like those I had seen in the houses of Russian peasants. When it was finished, the arrangement of the pieces of material seemed to me to evoke cubist conceptions and we then tried to apply the same process to other objects and paintings."

 Delaunay loved colour and described it as the skin of life. Her use of colour was intended to bring movement, light and musical qualities to her work and she experimented with juxtaposition - believing that colours would appear different depending on those surrounding them. This was known as Simultanism. Much of her work also features simple shapes and patterns. What better an activity to take to the exhibition then, than a packet of felt coloured shapes I made at home to play with, arrange and also spot in the artworks? The children were really engaged with this latter task, and played the game throughout several rooms. They also clearly sensed Delaunay's evocation of movement in her art. In the room dedicated to her her vast seven-metre murals Motor, Dashboard and Propeller, (happily empty at the time) the children felt compelled to zoom around as aeroplanes, clearly taking her colourful and dynamic images as invitation into her world.

Either side of the exhibition we read the beautiful book Madame Sonia Delaunay by Gerard Lo Monaco and published by Tate. With beautiful paper engineering and based on Delaunay's works, we were transported through solar systems, ocean waves, jungles and through clouds; spotting details in her art and even seeing a fashion show of theatrical costumes. As soon as this book arrived Culturebaby propped it up and used it as inspiration for some simple but effective abstract watercolour painting (watercolours are incidentally extremely easy for little people to use and are often our medium of choice).

For our main Delaunay-inspired project we continued with our exploration of fashion history by creating our own Delaunay-inspired costumes for our collection of dolls. Our Georgian project (here) had captured Culturebaby's imagination for weeks and a foray into the early years of the 20th Century was equally successful. The '20s style dress is a simple one to prepare in bulk with a hole for the head in the centre of a long rectangle (which could then be tied together with a low-slung ribbon). I cut out a selection of these templates in white fabric I had received in an off-cuts bag from the local material shop and provided felt tip pens, ribbon and foam shapes. The children looked through the Delaunay exhibition guide and chose an image of three dresses for inspiration. We propped it up and worked on our own designs. We also situated the style of the dresses we were producing in our beautiful timeline from Big Picture Press Shirts, Skirts and Shoes, illustrated by Sanna Mander. 
 
I was so impressed by the range of designs that the 3, 5 and 8 year olds created. The boy designed a colourful suit and the mummies had an extremely cathartic time indulging in a little geometric repetition.

It was one of those successful creative afternoons where the children really wanted to carry on playing with the theme. I had laid out a range of colour and shape activities to appeal to all, from toddler upwards.

Tesselating shapes

Home-made colour sorting activity

Colourful shape sorting and stacking

And we got the easel and tables out for some outdoor painting:

We loved this project. It was so simple but satisfying - and happily it also provided a whole new summer wardrobe for a grateful gang of vintage barbies. No more off-the-peg for them this year.

Disclaimer: We received copies of the two books mentioned in this post for review purposes. All other materials and ideas are our own. If you liked this post you can see more colour play ideas in a previous post here. 

Little Miss Austen

Culturebaby is deeply enamoured of 'big' dresses. The more brightly coloured, floral and impractical the better. I've decided to fly the white flag over this potential war and over the winter I purchased a range of thermal vests, confiscated the most ridiculous summer attire and handed over the keys to the kingdom of Wardrobe. She'll only be three for the blink of an eye and, who knows, she may be the next Westwood. I shall not stifle the frill. 

Unsurprisingly, Culturebaby saw a kindred clan in the giggle of Bennet sisters and happily plunged headlong into their world earlier than I might have expected. Thanks goes of course to the ingenious Babylit series, of which the Pride and Prejudice playset and counting primer is a favourite. We also received a new quirky satire on the popular classic Goodnight Moon which developed the story further than its basic characters and components featured in the Babylit series.

Goodnight Mr Darcy is an endearing little rhyme, with words and images adapted from the original but featuring a night at the Netherfield Ball, with its love, laughter, music and awkward family faux pas. Whilst purists may think it a tad silly, this little volume in no way takes itself seriously and we really love it. In the last couple of weeks, this pair of titles have been requested rather a lot, so I decided it was high time for a spot of Regency time travel. We listened to the beautiful sound track of the latest film of Pride and Prejudice, danced to the jolly rhythms of the Meryton Ball (hundreds of times and counting), acted out the story with the Babylit playset and watched the opening scenes from the film.

We also looked at the sorts of dresses Lizzie and Jane might have worn in the early 19th Century in our sumptuous Taschen Fashion encyclopaedia and we used the photographs as inspiration to create a few simple costumes for my vintage dolls using material, lace and ribbon off-cuts. Even Pooh Bear and his pal Bobo, have been spotted sporting high waistlines.

Taking the opportunity to spend some quality time with my 3 year old Culturebaby alone, we spent a glorious 'big girl' sunny day exploring the fabulous fashion and jewellery collections of the Victoria and Albert Museum, hunting out Georgian attire and reclining by their child-friendly outdoor pool (one of London's best kept sunny day secret retreats). 

We've also been constructing our own little dress museum at home, using the gorgeous fold out title from Big Picture Press Shirts, Skirts and Shoes illustrated by Sanna Mander. Whilst this volume only covers the last 100 years or so, it is a work of art; folding out to over two metres and forming the perfect museum backdrop. We've spent some extremely happy creative sessions discussing our favourite designs and again emulating these styles for dolls with simple (no sew) off-cuts of fabric, ribbons and a few items I've had since I was a child. We've explored the Edwardian, the '20s and the '50s and 60's. Simple and so much fun...

 

Finally, we've sought out the Georgians on their own turf with a couple of historic house trips. Dunham Massey is a beautiful property near Manchester with some of the best gardens ever for exploring. At present it is set up as a World War One hospital (recalling its use a century ago) and is worth a trip to experience the 'ghost' nurses who get on with their care of wounded soldiers, unaffected by their 21st Century observers. We also visited the Pemberley of BBC drama fame; Lyme Park. Whilst there is no longer a larger than life statue of Colin Firth hauling himself out of the garden pond, there is a gorgeous nursery in which children are able to explore and play with beautiful old toys, a school room complete with activities, and a stage with a range of dressing-up costumes for all the family. We brought home one of Usborne's brilliant sticker dolly dressing books: Fashion Long Ago, and we've been clothing a millennia of characters ever since. I hadn't realised exploring a classic with such young children through the medium of fashion history and music could be so rewarding and ultimately accessible for them. We will certainly do more of this in the future.

Disclaimer: We received copies of Baby Lit's Pride and Prejudice Playset and Goodnight Mr Darcy, and Big Picture Press' Skirts, Shirts and Shoes for review purposes. All other materials are our own.