Saturday, 18 March 2017

In the Night Garden Tour 2017

It will soon be that time of year when green spaces around the country grow a strange bubble-like snow dome and toddlers from Richmond to Manchester career around the streets grasping miniature inflated Pinky Ponks. We've re-posted last year's review of In The Night Garden Live below and we are hosting, until the end of March, a unique discount code for Culturebaby readers.

In the Night Garden Live runs annually and tickets can be booked at this site or on 0330 120 0123

This year's dates are as follows:

Blackheath, London 25 May - 10 Jun 2017

Richmond Old Deer Park, London 17 Jun - 5 Jul 2017

Cannon Hill Park, Birmingham 12 Jul - 30 Jul 2017
 

intu Trafford Centre, Manchester 5 Aug - 28 Aug 2017


Tickets: £12.50 - £35
Two separate shows throughout the run: The Pinky Ponk Show and The Ninky Nonk Show
Running time: just under 1 hour for each show with no interval.

Some things in life provide wonderful experiences because of their simple and arresting joy. In the Night Garden Live is an adorable production for the very young and rarely have I witnessed such unparalleled delight in little people as at the arrival of these household names in larger than life form before their eyes.

In The Night Garden is one of those utterly bizarre, and probably genius, Cbeebies programmes that have captured the heart of a nation. At the slightest whisper of threat to children's programming, parents declare war in defence of Upsy Daisy the pacifier and Iggle Piggle the entertainer of their miniature brood. I'm not sure a few years ago that I could have imagined I'd be writing an article about this surreal toddler wonderland, but there too leapt I into the giant showdome, pre-schoolers in tow, and found myself surrounded by the Richmond parenthood chanting along in one voice to the unintelligible but gripping choruses of Makka Pakka
, Akka Wakka, Mikka Makka moo! and Igglepiggle, wiggle, niggle, woo!  
I wonder what a future anthropologist falling upon some ancient footage might deduce from such scenes: who are these furry deities depicted on materials from dining equipment to painted bedroom walls, treasured in effigy and emitting strange and otherwordly chanting? But to the 2 year old, who sees true friends and companions in these colourful puppets, the whole phenomenon makes total sense.There are two shows available this summer, each covering a simple tale. Let's be honest these are not (for the adult observer) complex and gripping tales of adventure. In ours Makka Pakka travels around the garden, introducing a range of his buddies and washing their faces. At one point he loses a sponge. The sponge is consequently recovered. There are bubbles. There is dancing. But the joy created in this showdome is utterly infectious. It was a thoroughly happy event, with audible expressions of delight throughout from young and old alike. It isn't cheap and inevitably is rather commercialised, but it is a great child-friendly performance and good option for a first experience of theatre designed entirely for and on a perfect wavelength for the very young.

My four year old, who in hindsight didn't consider herself too mature for the whole experience, was particularly taken with the sense of scale and use of various sized puppets to bring the Night Garden alive. A larger Makka Pakka emerged alongside the Pontipines, whilst a smaller puppet was used beside the enormous Iggle Piggle. There were glorious moments when Iggle Piggle's boat appears amongst the waves, when Upsy Daisy finally danced onto stage, and when projections of stars onto the ceiling made the whole experience multi-dimensional.
As I circled my toddler's palm with my finger as the show began and witnessed her childish awe at the familiar spectacle unfolding before her, the emotion associated with the brevity of this tiring but wonderful phase rather bowled me over. I found myself wanting Oliver-like to bottle the whole experience. For In the Night Garden - for better or for worse - seems to be a right of passage for today's toddler and now, as then, I recall the immortal words of Evelyn Waugh:
"I should like to bury something precious in every place that I have been happy, so that when I'm old and ugly and miserable, I could come back and dig it up, and remember."

We received a family ticket in exchange for an honest review of the performance. As always all views are very much my own. Photographs courtesy of In the Night Garden Live.

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